then what are we to think
of an empty desk?" ---Einstein
From Einstein we move to Agatha Christie, where Slate has fun romping through her writing "habits", gleaned from author John Curran's discoveries taken from his new book, "Agatha Christie's Secret Notebooks". Excerpts From Slate:

" . . . You could never guess the murderers until she unveiled them, and then you had that fantastic sensation of surprise and - at the same time - utter inevitability. Ah! . . .This perfect dissonance - for which there is probably a good long German word - is so universally desired that Dame Agatha Christie sold more than 2 billion books in 45 languages (or, if you believe Wikipedia, 4 billion in 56 languages).
" . . .Her less-than-refined writerly day began with finding her notebook, which surely she'd left right there. Then, having found a notebook (not the one she'd used yesterday), and staring in stunned amazement at the illegible chicken scratchings therein, she would finally settle down to jab at elusive characters and oil creaky plots. Most astonishing, Curran discovers that for all her assured skewering of human character in a finished novel, sometimes when Christie started her books, even she didn't know who the murderer was. Ah! It makes sense - a brilliant mystery writer must first experience the mystery! Or does it? . . ."
". . . At any one time, Christie would have half a dozen notebooks going. Christie's promiscuous note-taking meant that any one novel or play might be distributed over multiple notebooks and many, many years. Christie used Notebook 3 for at least 17 years and 17 novels. . . . For some novels, she tried to impose method on her chaotic practice, assigning letters to scenes and moving them around. But her efforts at organization petered out pretty quickly. . . "
". . . How on earth did Christie draw her perfectly tensioned structures from this formless mess? . . ."
Previously published by The Daily Riff April 2010
Related:
Great MInds Don't "Do Desk" Alike. Surprise.